JSTOR Labs has developped a new application: http://www.jstor.org/analyze/. It analyzes a text that you upload on the JSTOR-Lab-Site by detecting and priorizing terms, and suggests related documents.
You want to download Swiss government data free of charge? You want to develop an application with these data? Go to opendata.swiss, the portal for Swiss open government data.
What are the Digital Humanities (DH)? This question of a quite long standing debate is treated in a new open access book in the Springer Series on Cultural Computing: Computation and the Humanities, Towards an Oral History of Digital Humanities. Julianne Nyhan and Andrew Flinn of the Department of Information Studies at the University College London (UCL) state that the DH form an interface between computing and cultural heritage. They believe that DH transforms the objects and the methods of studying them. They did oral history to know more about this.
The Journal accepts articles from various disciplines such as ancient science, philosophy, political science and sociology, and naturally, history, too. The submitted articles are subject to a peer-review procedure. There is an anti-plagiarism checking, too.
A edition project of the Swiss Literary Archives, the Cologne Center for eHumanities (CCeH) and the Swiss National Science Foundation
Hermann Burger (1942-1989) wrote his first novel between 1970 and 1972. It remained unpublished until recently. The manuscript is kept in Swiss Literary Archives.
Close reading or Distant reading: A new book of proceedings entitled “Reading Historical Sources in the Digital Age” («Lire des sources historiques à l’ère numérique») has just been published. The contributions of this volume base on selected papers presented at the conference of the University of Luxembourg held in 2013.
Things have power to act, Bruno Latour says. This French author alternates between natural science, social science and philosophy. For him, who founded the influential actor-network-theory (ANT), computer and their programs are hybrids between the linguistic and the real. In the language of ANT, he calls them Aktanten.
Things unfold their power because they are connected with people.
L.I.S.A., the scientific platform of the Gerda Henkel Foundation, on July 14, 2016 published a report of the outcome of a symposium that was organised by the Deutsche Forschungsgemeinschaft (DFG) and held in the Villa Vigoni in Menaggio at the beautiful Lake of Como, May 26 to 29, 2016. The Villa Vigoni is an instution that “fosters the relationships between Italy and Germany in the fields of scientific research and culture in a European perspective”. Literature was in the focus of the symposium.
The interesting, quite long report was published in German by Julia Menzel: Theorien und Praktiken des Digitalen in den Geisteswissenschaften. Here an English short cut and some comments and links: Continue reading
Clio online, the professional portal of the historical sciences in Germany recently published a new manual. It maps the field of digital history including institutional infrastructures and tools. The aim is a practical one: To give a fact-based introduction to the state of digital professional information and an overview of the most important tools and instruments. Thus, it is aimed at both students and teachers, as well as to researcher and historians who need an introduction to the state of the professional information for their area of research.
The guide is structured along the following issues: Digital working methods and techniques, collections, epochs, regions and topic.
The guide is in German and edited by Laura Busse, Wilfried Enderle, Rüdiger Hohls, Gregor Horstkemper, Thomas Meyer, Jens Prellwitz and Annette Schuhmann. You find it here: http://guides.clio-online.de/
Die digitale Kommunikation prägt inzwischen das Berufsbild der Historiker entscheidend. Heute ist Norm, was vor 20 Jahren noch Ausnahme war: Historische Welten werden digital vermessen und analog interpretiert. Wie Historiker denken, lehren, schreiben ändert sich durch die Digitalisierung schon heute und wirkt auf das Schreiben von Geschichte zurück: Mit Algorithmen verarbeiten Forscher heute große Datenmengen, die völlig neue Perspektiven und Herangehensweisen an die historischen Quellen ermöglichen. Das Buch beschreibt den Stand des digitalen Wandels für die Geschichte als Teil der Geisteswissenschaften und diskutiert die Perspektiven über die Zukunft des Big Data in den historischen Wissenschaften. Ein Serviceteil, in dem Infrastrukturen, Portale, Tools, Standards und Blogs vorgestellt werden, ergänzt dieses Buch.
The digital communication characterizes the professional profile of historians. Today is standard, what, 20 years ago, was the exception: Past worlds are measured digitally and interpreted analogously. The digital change captures the production and communication of historical knowledge and affects the writing of history: With algorithms, we process large amounts of data and create a new digital information society, a network, a hybrid constellation of people and things. The book describes the state of the digital change for the History as part of the Humanities and discusses its further perspectives. It includes a service part, where infrastructures, portals, tools, standards and blogs are presented.
Living Books about History represent a new form of digital anthology. They present short essays on current topics of scholarly interest accompanied by selected contributions that are freely available online.
The project is testing a new form of scholarly publication and aims to draw attention to the potentials of open access by rediscovering and reusing scholarly texts and sources. Contributions:
- Tara Andrews: Digital Humanities
- Almut Höfert: Miracels, Marvels and Monsters in the Middle Ages
- Guido Koller, Sebastian Schüpbach: The History of Modern Administration
- Martin Lengwiler, Beat Stüdli: History of the Welfare State
- Daniel Speich Chassé: La situation coloniale
Have a look on Living Books about History. It’s cool.
Shawn Graham, Ian Milligan and Scott Weingart jointly write a book on www.themacroscope.org: Exploring Big Historical Data: The Historian’s Macroscope. It deals with the chances of digital tools for the humanities. And it asks about the consequences of the digital for understanding the past and the present. The authors are convinced that future historical research must be open and public. They plan to print the book 2015 after a revision due to comments from (future) readers.
In his new Essay, Valentin Groebner, Professor for Medieval history, asks about the possibilities of digital media and the historical perspective that could teach us about their chances and risks.
Now, if one accepts the basic thesis that the world is experienced, recognized and evaluated in the network of codes, […].
Flusser thinks history as a sequence of codes of an alphabetical order. This suggests a linear historical world. In contrast, Flusser sees the computer as a phenomenon of post-history. It dissolves structural oppositions such as subject and object, nature and culture. Now adays this Decentration is seen as a network phenomena. Continue reading
2011, Penguin published a book with the promising title: „Virtual History“. There, Niall Ferguson presented 9 articles “towards a ‘chaotic’ theory of the past”. Exciting, the digital historian thinks, and begins to attack the introduction of almost 100 pages. Soon, he finds out that the book deals with questions as the following: What if Britain had stayed out of the First World War? What if Hitler had defeated the Soviet Union? So the point of the book is counterfactual history and not, as expected, virtual digital history. A close look on the circumstances of the publication makes it clear: Penguin has reprinted the book that has first been published 1997 – probably because the editor has become famous. Continue reading