What are the Digital Humanities (DH)? This question of a quite long standing debate is treated in a new open access book in the Springer Series on Cultural Computing: Computation and the Humanities, Towards an Oral History of Digital Humanities. Julianne Nyhan and Andrew Flinn of the Department of Information Studies at the University College London (UCL) state that the DH form an interface between computing and cultural heritage. They believe that DH transforms the objects and the methods of studying them. They did oral history to know more about this.
The Journal accepts articles from various disciplines such as ancient science, philosophy, political science and sociology, and naturally, history, too. The submitted articles are subject to a peer-review procedure. There is an anti-plagiarism checking, too.
A edition project of the Swiss Literary Archives, the Cologne Center for eHumanities (CCeH) and the Swiss National Science Foundation
Hermann Burger (1942-1989) wrote his first novel between 1970 and 1972. It remained unpublished until recently. The manuscript is kept in Swiss Literary Archives.
Close reading or Distant reading: A new book of proceedings entitled “Reading Historical Sources in the Digital Age” («Lire des sources historiques à l’ère numérique») has just been published. The contributions of this volume base on selected papers presented at the conference of the University of Luxembourg held in 2013.
Die digitale Kommunikation prägt inzwischen das Berufsbild der Historiker entscheidend. Heute ist Norm, was vor 20 Jahren noch Ausnahme war: Historische Welten werden digital vermessen und analog interpretiert. Wie Historiker denken, lehren, schreiben ändert sich durch die Digitalisierung schon heute und wirkt auf das Schreiben von Geschichte zurück: Mit Algorithmen verarbeiten Forscher heute große Datenmengen, die völlig neue Perspektiven und Herangehensweisen an die historischen Quellen ermöglichen. Das Buch beschreibt den Stand des digitalen Wandels für die Geschichte als Teil der Geisteswissenschaften und diskutiert die Perspektiven über die Zukunft des Big Data in den historischen Wissenschaften. Ein Serviceteil, in dem Infrastrukturen, Portale, Tools, Standards und Blogs vorgestellt werden, ergänzt dieses Buch.
The digital communication characterizes the professional profile of historians. Today is standard, what, 20 years ago, was the exception: Past worlds are measured digitally and interpreted analogously. The digital change captures the production and communication of historical knowledge and affects the writing of history: With algorithms, we process large amounts of data and create a new digital information society, a network, a hybrid constellation of people and things. The book describes the state of the digital change for the History as part of the Humanities and discusses its further perspectives. It includes a service part, where infrastructures, portals, tools, standards and blogs are presented.
Living Books about History represent a new form of digital anthology. They present short essays on current topics of scholarly interest accompanied by selected contributions that are freely available online.
The project is testing a new form of scholarly publication and aims to draw attention to the potentials of open access by rediscovering and reusing scholarly texts and sources. Contributions:
- Tara Andrews: Digital Humanities
- Almut Höfert: Miracels, Marvels and Monsters in the Middle Ages
- Guido Koller, Sebastian Schüpbach: The History of Modern Administration
- Martin Lengwiler, Beat Stüdli: History of the Welfare State
- Daniel Speich Chassé: La situation coloniale
Have a look on Living Books about History. It’s cool.
Shawn Graham, Ian Milligan and Scott Weingart jointly write a book on www.themacroscope.org: Exploring Big Historical Data: The Historian’s Macroscope. It deals with the chances of digital tools for the humanities. And it asks about the consequences of the digital for understanding the past and the present. The authors are convinced that future historical research must be open and public. They plan to print the book 2015 after a revision due to comments from (future) readers.
In his new Essay, Valentin Groebner, Professor for Medieval history, asks about the possibilities of digital media and the historical perspective that could teach us about their chances and risks.
Franco Moretti explains the “Operationalizing” of Distant reading in an interesting pamphlet from the Stanford Literary Lab (see below). Operationalization is a process that transforms a concept into a series of operations. This in turn makes it possible to measure objects. In an empirical approach to literature we measure the space which a character occupies in a text. Continue reading
Now, if one accepts the basic thesis that the world is experienced, recognized and evaluated in the network of codes, […].
Flusser thinks history as a sequence of codes of an alphabetical order. This suggests a linear historical world. In contrast, Flusser sees the computer as a phenomenon of post-history. It dissolves structural oppositions such as subject and object, nature and culture. Now adays this Decentration is seen as a network phenomena. Continue reading
2011, Penguin published a book with the promising title: „Virtual History“. There, Niall Ferguson presented 9 articles “towards a ‘chaotic’ theory of the past”. Exciting, the digital historian thinks, and begins to attack the introduction of almost 100 pages. Soon, he finds out that the book deals with questions as the following: What if Britain had stayed out of the First World War? What if Hitler had defeated the Soviet Union? So the point of the book is counterfactual history and not, as expected, virtual digital history. A close look on the circumstances of the publication makes it clear: Penguin has reprinted the book that has first been published 1997 – probably because the editor has become famous. Continue reading
Summary of my Intervention at the Colloquium of the University of Lucerne, Zeit-Geschichte-Unterricht, 7. November 2014
Link to the original german manuscript http://bit.ly/1svdpMg
The intervention wants to make the audience familiar with questions about the current understanding of time and its consequences for history. It examines the assumption of HansUlrich Gumbrecht, according to which we live in a “broad presence”. For that, the intervention presents 4 Tableaux from which it structures the material  for three theses. Continue reading
A contribution to the Debate about Texts and Books in the Digital Age
Production and distribution of books are expensive, which is why researchers are in need of financial support. In Switzerland, so far, researcher counted on the Swiss National Science Foundation (SNSF), which subsidizes such projects. However, the SNSF has now changed its conditions: It finances only work before printing on the condition that the texts after a certain time, for example two years, are accessible online. So, the SNSF confirms its strategic support for the #OpenAccess Strategy in the sciences. But, apparently unexpectedly for the SNSF, parts of the scientific community respond comparatively fierce and critical. The debate was also held in the Neue Zürcher Zeitung (NZZ, see below) in the last weeks. Continue reading
The Swiss National Science Foundation wants research results freely available on the internet and links the promotion of scientific research closely to this requirement. Does this Open Access Strategy mean that the culture of the book is threatened in Switzerland? A petition in the internet calls for more money for publishers in the humanities and more freedom for the authors. Meanwhile, more than four thousand people have signed it. Continue reading
Sometimes memories throw long shadows into the future – as in the case of the commemoration of the First World War. Long before the anniversary of its inception in August 1914 the first books on the subject appeared in the stores. A very special one is the view of Philipp Blom on Europe from 1900 until 1914. The tumbling of a continent, he calls his impressions, which he skillfully unfolds before us. He takes them from reports from former newspapers, contemporary novels and essays and interprets them with a whole armada of secondary literature. The result is a panorama of an era, which, according to the Neue Zürcher Zeitung, “was remarkably similar to the our’s”. Continue reading