The Digital Culture – An Exciting Essay by Felix Stalder on Post-Democracy and Commons

50 years ago, Marshall Mc Luhan called out the end of modernity. Since then, cultural opportunities have multiplied enormously. Today, this change produces a culture of the digital. The internet is a medium with specific forms of culture and exchange.

Three of them are characteristic:

  • Referentiality – the use of existing material for the production of cultural objects;
  • Communality – resources are made accessible and meanings are stabilized through a collective frame;
  • The principle of algorithms – automated decision-making reduces information overload.

The aim of Stalder’s essay is to identify and describe two political tendencies in the digital culture: Post-democracy and commons. Digitality points to historically new possibilities for linking human and non-human actors. Find here a summary of the very interesting book of Felix Stalder.

Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

More Posts - Website

Follow Me:
Twitter

Hybridity and Historiography – A Tricky Couple!

Things have power to act, Bruno Latour says. This French author alternates between natural science, social science and philosophy. For him, who founded the influential actor-network-theory (ANT), computer and their programs are hybrids between the linguistic and the real. In the language of ANT, he calls them Aktanten.

Things unfold their power because they are connected with people.

Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

More Posts - Website

Follow Me:
Twitter

Jean-François Lyotard, Delegitimization and Digital Humanities

Jean-François Lyotard, „Die Delegitimierung“, in : Geschichte schreiben in der Postmoderne, Stuttgart 1994

Review with respect to digital humanities (avant la lettre)

In the post-industrial society, in postmodern culture, knowledge becomes legitimized in a new way. Great, speculative and emancipating narratives have lost their credibility. These stories of the 19th century carry in themselves the seed of this loss in the 20thcentury. To give an example: the speculative story, as we know it from Georg Wilhelm Friedrich Hegel, is in itself sceptical about the possibility of positive findings. Positive science is not knowledge, its legitimacy is denied because the discourse, which should legitimize it, is based on pre-scientific notions. The crisis of scientific knowledge results from the erosion of legitimacy. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

More Posts - Website

Follow Me:
Twitter