The Digital Culture – An Exciting Essay by Felix Stalder on Post-Democracy and Commons

50 years ago, Marshall Mc Luhan called out the end of modernity. Since then, cultural opportunities have multiplied enormously. Today, this change produces a culture of the digital. The internet is a medium with specific forms of culture and exchange.

Three of them are characteristic:

  • Referentiality – the use of existing material for the production of cultural objects;
  • Communality – resources are made accessible and meanings are stabilized through a collective frame;
  • The principle of algorithms – automated decision-making reduces information overload.

The aim of Stalder’s essay is to identify and describe two political tendencies in the digital culture: Post-democracy and commons. Digitality points to historically new possibilities for linking human and non-human actors. Find here a summary of the very interesting book of Felix Stalder.

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Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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Hybridity and Historiography – A Tricky Couple!

Things have power to act, Bruno Latour says. This French author alternates between natural science, social science and philosophy. For him, who founded the influential actor-network-theory (ANT), computer and their programs are hybrids between the linguistic and the real. In the language of ANT, he calls them Aktanten.

Things unfold their power because they are connected with people.

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Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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Geschichte Digital – Historische Welten neu vermessen

Abbildung 1-1Guido Koller, Geschichte Digital – Historische Welten neu vermessen, Stuttgart, 2016

Die digitale Kommunikation prägt inzwischen das Berufsbild der Historiker entscheidend. Heute ist Norm, was vor 20 Jahren noch Ausnahme war: Historische Welten werden digital vermessen und analog interpretiert. Wie Historiker denken, lehren, schreiben ändert sich durch die Digitalisierung schon heute und wirkt auf das Schreiben von Geschichte zurück: Mit Algorithmen verarbeiten Forscher heute große Datenmengen, die völlig neue Perspektiven und Herangehensweisen an die historischen Quellen ermöglichen. Das Buch beschreibt den Stand des digitalen Wandels für die Geschichte als Teil der Geisteswissenschaften und diskutiert die Perspektiven über die Zukunft des Big Data in den historischen Wissenschaften. Ein Serviceteil, in dem Infrastrukturen, Portale, Tools, Standards und Blogs vorgestellt werden, ergänzt dieses Buch.

Geschichte Digital – Historische Welten neu vermessen (Kohlhammer)

The digital communication characterizes the professional profile of historians. Today is standard, what, 20 years ago, was the exception: Past worlds are measured digitally and interpreted analogously. The digital change captures the production and communication of historical knowledge and affects the writing of history: With algorithms, we process large amounts of data and create a new digital information society, a network, a hybrid constellation of people and things. The book describes the state of the digital change for the History as part of the Humanities and discusses its further perspectives. It includes a service part, where infrastructures, portals, tools, standards and blogs are presented.

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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The Future of Yesterday: Scientific publishing after the Digital Revolution

In his new Essay, Valentin Groebner, Professor for Medieval history, asks about the possibilities of digital media and the historical perspective that could teach us about their chances and risks.

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Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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Pamphlet No 6 – Between Distant and Close reading

Franco Moretti explains the “Operationalizing” of Distant reading in an interesting pamphlet from the Stanford Literary Lab (see below). Operationalization is a process that transforms a concept into a series of operations. This in turn makes it possible to measure objects. In an empirical approach to literature we measure the space which a character occupies in a text. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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Any room left for freedom in a programmed world? – Vilém Flusser and the Digital Humanitites

Now, if one accepts the basic thesis that the world is experienced, recognized and evaluated in the network of codes, […].

Flusser thinks history as a sequence of codes of an alphabetical order. This suggests a linear historical world. In contrast, Flusser sees the computer as a phenomenon of post-history. It dissolves structural oppositions such as subject and object, nature and culture. Now adays this Decentration is seen as a network phenomena. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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Forget it !? Memory and the formation of historical meaning in the “broad presence”

Summary of my Intervention at the Colloquium of the University of Lucerne, Zeit-Geschichte-Unterricht, 7. November 2014

Link to the original german manuscript http://bit.ly/1svdpMg

The intervention wants to make the audience familiar with questions about the current understanding of time and its consequences for history. It examines the assumption of HansUlrich Gumbrecht, according to which we live in a “broad presence”. For that, the intervention presents 4 Tableaux from which it structures the material [1] for three theses. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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Also digitally produced history needs a shop to sell its products

A contribution to the Debate about Texts and Books in the Digital Age

Production and distribution of books are expensive, which is why researchers are in need of financial support. In Switzerland, so far, researcher counted on the Swiss National Science Foundation (SNSF), which subsidizes such projects. However, the SNSF has now changed its conditions: It finances only work before printing on the condition that the texts after a certain time, for example two years, are accessible online. So, the SNSF confirms its strategic support for the #OpenAccess Strategy in the sciences. But, apparently unexpectedly for the SNSF, parts of the scientific community respond comparatively fierce and critical. The debate was also held in the Neue Zürcher Zeitung (NZZ, see below) in the last weeks. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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Digital History in Zurich and elsewhere

For a Workshop about Digital History held on May 13, 2014 at the University in Zurich, reports are now available, notably on HSozKult (in German). Here an English short cut of this report by Christina Rothen:

Christina Rothen: Digital History, 13.05.2014 –14.05.2014 Zürich, in: H-Soz-Kult, 18.07.2014, <http://www.hsozkult.de/conferencereport/id/tagungsberichte-5462>.

Please be aware that any changes I made to the original, including possible distortions in meaning, are solely my own responsibility.

Here an English short cut: Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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The Thinking follows the Data

In the Frankfurter Allgemeine of 12th March 2014, Hans Ulrich Gumbrecht writes that the humanities are helpless towards the digital revolution. That we must invent new terms to get along with it. That our traditional concepts and ways of thinking are opposed to it – which means that its development and  influence have drifted out of the reach of our intellectual and scientific analysis. Gumbrecht believes, that now only we see the whole significance of the thoughts of Jacques Derrida and those about The Truth of the Technical World of Friedrich Kittler. Gumbrecht forgets to mention Foucault’s L’archéologie du savoir, here. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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After Literature – Some Comments on the Current Boom in History

Sometimes memories throw long shadows into the future – as in the case of the commemoration of the First World War. Long before the anniversary of its inception in August 1914 the first books on the subject appeared in the stores. A very special one is the view of Philipp Blom on Europe from 1900 until 1914. The tumbling of a continent, he calls his impressions, which he skillfully unfolds before us. He takes them from reports from former newspapers, contemporary novels and essays and interprets them with a whole armada of secondary literature. The result is a panorama of an era, which, according to the Neue Zürcher Zeitung, “was remarkably similar to the our’s”. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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The Truth of the Technical World

Friedrich A. Kittler, „Die Wahrheit der technischen Welt, Essays zur
Genealogie der Gegenwart“, Berlin 2013

Remarks to Hans Ulrich Gumbrecht’s Edition

Friedrich A. Kittler was a controversial scientist: His enthusiasm for technology, mathematics, psychoanalysis, and rock music and his delight in the eclectic speculation were suspect to many of us. But not to Hans Ulrich Gumbrecht: For him Kittler’s work is  “idea and promise of a truth” to our technological world. As a history of technology, Kittler’s narrative of cultural history forms, perhaps, a figure of thought, which contributes to the “understanding of the digital present and future”. Gumbrecht, who is interested in the cultural consequences of digitization, therefore wants to expose the potential that lies in this work. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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Did you ever want to know how historians work?

Anne Kwaschik, Mario Wimmer, Von der Arbeit des Historikers, Ein Wörterbuch zu Theorie und Praxis der Geschichtswissenschaft, Bielefeld, 2010 (Histoire Band 19)

Review

How do historians work? At the desk with paper, French historian Lucien Febvre answered this question laconic. He did no longer believe to get facts by reading texts, turned away from the “bookish history” towards a “science of man”. It should be interdisciplinary and team-oriented, just in line with the intention of the editors of the dictionary to be discussed. Therefore, we find here keywords, which have been worked by geographers, sociologists and philosophers and, naturally, historians. It is the result of an effort that has been taken place in a workshop (Marc Bloch), the modern workplace in historical research. In this “production space” (Richard Sennett) technical skills are being taught. Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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The Philosophy of the Digital Humanities

David M. Berry, The Computing Turn, Thinking About the Digital Humanities, in: Culture Machine, Vol. 12, 2011

A short cut

Digital technologies mediate research. They also change underlying epistemologies and ontologies. David M. Berry, Associate Professor/Reader in Digital Media, has been thinking about this. Here a short cut of his interesting article: Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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The economics of writing (and publishing)

Michel de Certeau, Kunst des Handelns, Berlin 1988

Review for the Digital Humanities

The art of acting, L’Invention du quotidien – Arts de faire, respectively, as the book is originally called, has long been an insider tip. Its author, a french historian and Jesuit, working inter alia in the Americas, tried to translate back to Europe much of what anthropologists have written into the new world. He worked on a mystique that in part can be used for the legend of the Digital Humanities, too: Continue reading

Guido Koller

Senior Historian, Swiss Federal Archives, CH-3003 Berne, Switzerland

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