The University of Zurich is developing a Digital Society Initiative (DSI) to engage with the impact of digital technology that should be studied historically. Monika Dommann, Martin Dusinberre and Gesine Krüger therefore plan to establish a History Lab within this Initiative. They argue that digital history should have to play a key role there because Big Data, surveillance, privacy, access rights and the circulation of cultural artefacts and other digitally mediated social interaction demand a deep historical understanding. Find here a short cut of the concept.
You want to download Swiss government data free of charge? You want to develop an application with these data? Go to opendata.swiss, the portal for Swiss open government data.
What are the Digital Humanities (DH)? This question of a quite long standing debate is treated in a new open access book in the Springer Series on Cultural Computing: Computation and the Humanities, Towards an Oral History of Digital Humanities. Julianne Nyhan and Andrew Flinn of the Department of Information Studies at the University College London (UCL) state that the DH form an interface between computing and cultural heritage. They believe that DH transforms the objects and the methods of studying them. They did oral history to know more about this.
The Journal accepts articles from various disciplines such as ancient science, philosophy, political science and sociology, and naturally, history, too. The submitted articles are subject to a peer-review procedure. There is an anti-plagiarism checking, too.
A edition project of the Swiss Literary Archives, the Cologne Center for eHumanities (CCeH) and the Swiss National Science Foundation
Hermann Burger (1942-1989) wrote his first novel between 1970 and 1972. It remained unpublished until recently. The manuscript is kept in Swiss Literary Archives.
Living Books about History represent a new form of digital anthology. They present short essays on current topics of scholarly interest accompanied by selected contributions that are freely available online.
The project is testing a new form of scholarly publication and aims to draw attention to the potentials of open access by rediscovering and reusing scholarly texts and sources. Contributions:
- Tara Andrews: Digital Humanities
- Almut Höfert: Miracels, Marvels and Monsters in the Middle Ages
- Guido Koller, Sebastian Schüpbach: The History of Modern Administration
- Martin Lengwiler, Beat Stüdli: History of the Welfare State
- Daniel Speich Chassé: La situation coloniale
Have a look on Living Books about History. It’s cool.
Shawn Graham, Ian Milligan and Scott Weingart jointly write a book on www.themacroscope.org: Exploring Big Historical Data: The Historian’s Macroscope. It deals with the chances of digital tools for the humanities. And it asks about the consequences of the digital for understanding the past and the present. The authors are convinced that future historical research must be open and public. They plan to print the book 2015 after a revision due to comments from (future) readers.
The new German Zeitschrift für Digitale Geisteswissenschaften (Journal for Digital Humanities) of the Forschungsverbund Marbach, Weimar and Wolfenbüttel, supported by the Bundesministerium für Bildung und Forschung in its first volume discusses limits and possibilities of the Digital Humanities.
The editors, Constanze Baum and Thomas Stäcker, want to present theories, methods and projects of the Digital Humanities in the German speaking part of Europe. Not all texts are already available. But what is there is really interesting – here a small selection of articles:
In his new Essay, Valentin Groebner, Professor for Medieval history, asks about the possibilities of digital media and the historical perspective that could teach us about their chances and risks.
In communicating and teaching humanities visualization become more and more important. One popular visual communication instrument are slides. More and more of them are shared on Slideshare. A very nice example is Sampling in Qualitative and Quantitative Research from Sam Ladner. The Senior Researcher at Microsoft Office shows us sampling methods and let us have a practical how-to-do. Her key themes are quantitative and qualitative assumptions in sampling, types of samplings, ethnographic and interview sampling and content analysis sampling. Continue reading
A contribution to the Debate about Texts and Books in the Digital Age
Production and distribution of books are expensive, which is why researchers are in need of financial support. In Switzerland, so far, researcher counted on the Swiss National Science Foundation (SNSF), which subsidizes such projects. However, the SNSF has now changed its conditions: It finances only work before printing on the condition that the texts after a certain time, for example two years, are accessible online. So, the SNSF confirms its strategic support for the #OpenAccess Strategy in the sciences. But, apparently unexpectedly for the SNSF, parts of the scientific community respond comparatively fierce and critical. The debate was also held in the Neue Zürcher Zeitung (NZZ, see below) in the last weeks. Continue reading
The Swiss National Science Foundation wants research results freely available on the internet and links the promotion of scientific research closely to this requirement. Does this Open Access Strategy mean that the culture of the book is threatened in Switzerland? A petition in the internet calls for more money for publishers in the humanities and more freedom for the authors. Meanwhile, more than four thousand people have signed it. Continue reading
Frédéric Clavert, Serge Noiret (Editors), L’histoire contemporaine à l’ère numérique, Contemporary History in the Digital Age, Bruxelles, Bern, Berlin, Frankfurt, New York, Oxford, Wien, 2013. 381 p.
The humanities are subject to a continuous, but recently accelerated change. In the meantime, this change has a powerful name: Digital Humanities. And this name is program – the humanities are to be made fit for the digital age. To this, in october 2009, a symposium took place, organized by the Centre virtuel de la connaissance sur l’Europe and the University of Luxembourg. The aim was to take into view the new sources, tools and methods of contemporary history. The contributions are now available in a rich anthology, edited by Frédéric Clavert and Serge Noiret, two protagonists of the Digital Humanities in Europe. Continue reading
Anne Burdick, Johanna Drucker, Peter Lunenfeld, Todd Presner and Jeffrey Schnapp, Digital_Humanites, Cambridge 2012
A short cut and some remarks
“Two decades ago, working with digital documents was the exception. Today it is the norm” – Anne Burdick and her co-authors write; and: “If the humanities are to thrive and not just exist in niches of privilege, they will have to visibly demonstrate the contributions to knowledge and society they are making in the digital era”. This extremely interesting book from the MIT studies emerging methods and genres, cases as Geographical Information Systems (GIS), new textual corpuses and virtual reconstructions, deals with “the social life of the Digital Humanities”, confronts us with some “provocations” and ends with a short practical guide to the emerging Digital Humanities. Continue reading
Peter Haber, Digital Past, Geschichtswissenschaft im Digitalen Zeitalter, München 2011
“What happens to the historiography in the digital age”, Peter Haber, Basel University, wants to know. His concern is primarily about three things: The origins of electronic data processing in the historical sciences, the changing of the production of historical knowledge and the emerging of a new “Workshop of the Historian” (Marc Bloch). Continue reading